Enjoy a holiday buffet of one-act plays directed by

students as their final class project. The one-acts

are typically 10 minutes long and include actors

from across campus and outside the

theatre department.

Scroll down to view the program for One-Act Plays 2024

Click below to view the full NWC Theatre playbill

PRODUCTION STAFF

  • Class Instructor - Molly Wiebe Faber

    Lighting - Drew Schmidt and “Drew’s Crew”

    Scenic - Ethan Koerner, Jack MacGregor, and Scenic Workstudy

    Sound - Melissa Thompson

    Costumes - Amanda Lemke

    Stage Managers - Emily Espinoza, MacKenzie Russell, Raquel Yoder, and Ruthie Zimmerman

    Box Office - Ellie Zeutenhorst and Mackenzie Russell

 
 

PERFORMANCE ORDER

Keep scrolling for individual one-act play details for each night’s performances

  • 1955 - Lassoing an Angel
    Directed by Melissa Thompson

    Roll Over Beethoven
    Directed by Liam Nibbelink

    Muddy Death and Strudel
    Directed by Logan Thooft

    Playwriting 101: The Rooftop Lesson
    Directed by Simon Maggert

    The Bargain
    Directed by Mackenna Thurman

    Stars
    Directed by Marissa Leraas

    The Last December
    Directed by Ailee Moquist

  • Exodus 3-14
    Directed by Sophia Fischer

    Happy Birthday to Me
    Directed by Ellianna Zerr

    The Job Interview
    Directed by AJ Zinn

    The Corpse in the Props Closet
    Directed by Jessica Schulmeister

    Intermission
    Directed by Dana Sorenson

    Please Have a Seat and Someone Will Be With You Shortly
    Directed by Lydia Cavanaugh

    Some Assembly Required
    Directed by Lexi Squier

 
 

Wednesday 7:30

One-Act Details

  • by Don Zolidis

    Directed by Melissa Thompson

    Cast:
    Mary - Annabell Christensen
    Richard - David Grandel

    Director’s Note:
    Set in modern day, 1955 - Lassoing an Angel is the humorous journey of a sister showing her younger brother the realities of his “love” for a popular girl at school. Despite the bickering and teasing, the two siblings obviously care deeply for each other. I chose this play as a tribute to the mischief, goofiness, and good memories I have shared with my brother. I hope this play serves as a comical homage to all the people who love us dearly despite our idiosyncrasies.

    1955 - Lassoing an Angel is produced by special arrangement with Playscripts, Inc. (www.playscripts.com)

  • by David Ives

    Directed by Liam Nibbelink

    Cast:
    Dr. Goldenbaum - George Livingston
    Robin - Lauren Kalstrup

    Director’s Note:
    Roll Over, Beethoven is a farcical comedy in which a teenager named Robin is brought under the wing of a batty, middle-age music teacher named Dr. Goldenbaum. One major question the audience may have as they are watching this play is what exactly is being taught and what is being learned as a result? The obvious answer is that Dr. Goldenbaum is teaching Robin how to play piano in a less-than-conventional kind of way. However, the answer could also be that Robin is learning how to process and understand the sensation of feeling the music through her whole body, rather than focusing on what keys and notes to play at a given moment. The power of music and how we connect our minds and bodies to the sensations of music are what Dr. Goldenbaum is teaching here, and maybe there’s also a bit of piano lesson sprinkled in.

    Roll Over Beethoven is produced by special arrangement with Playscripts, Inc. (www.playscripts.com)

  • by Jason Pizzarello

    Directed by Logan Thooft

    Cast:
    Edgar - Tim Giacobbe
    Martha - Ashley Montes
    Bruno - Zach Van Zee

    Director’s Note:
    Death gives life meaning as it is what gives life a definitive ending. For Edgar, life is a poetic “glorious flame” that’ll need to be gloriously extinguished in time, but there’s hardly any glory that comes with dying. Unless, of course, that death comes from the great William Shakespeare and the many plays he has written. With so many Shakespearean ways to die, Edgar hires a hit man to help determine what is the best way to die with the support of his wife, Martha. However, for better or worse, Edgar learns that there are some things that he simply cannot control, even the means of which his glorious flame is to be extinguished.

    Muddy Death and Strudel is produced by special arrangement with Stage Partners. (www.yourstagepartners.com)

  • by Rich Orloff

    Directed by Simon Maggert

    Cast:
    The Teacher - Anna Frangenberg
    The Good Samaritan - Reece Tyrrell
    The Jumper - Theodore Miller

    Director’s Note:
    Instead of watching another play, I wanted to have the audience learn a little about how to write their own! With the wonderful Teacher walking the audience through good and bad playwriting, nothing could possibly go wrong...right?

    Playwriting 101: The Rooftop Lesson is produced by special arrangement with Playscripts, Inc. (www.playscripts.com)

  • by Kathryn Funkhouser

    Directed by Mackenna Thurman

    Cast:
    Dan - Evan Fikse
    Sarah - Cloee Reding
    Marcy - Maelee Rodenburg

    Director’s Note:
    The Bargain is a wacky tale involving two spiritual entities who visit a young lady who just agreed that she would “sell her soul” to find a one-bedroom apartment in Queens. Moving past the peculiar nature of the one-act, this story highlights how sometimes we can get so wrapped up in the business of what’s going on around us, that we may feel alone. That we lose track of those who actually appreciate us, kind of like how Dan throughout this performance feels this need to be great and misses how much Marcy actually needs him as a friend. We see him learn that sometimes its ok to not be in control, and that sometimes, maybe, we need a little chaos in our lives.

    The Bargain is produced by special arrangement with Stage Partners. (www.yourstagepartners.com)

  • by Romulus Linney

    Directed by Marissa Leraas

    Cast:
    He - Collin Verschoor
    She - MacKenzie Russell

    Director’s Note:
    I chose the play Stars because I felt like it offers an audience a unique juxtaposition that we so often face in this life: the seeming hopelessness of our realities, and the decision to keep moving forward. I think this one-act can offer a safe space for people wrestling with their own realities; a space to see something relatable and sit in it for a while with these characters. But I also think this is a place with confidence, where you can keep on going in bold pursuit of something better than this. Maybe even the One true Hope.

    Stars is presented by arrangement with Concord Theatricals on behalf of Samuel French, Inc. www.concordtheatrical.com

  • by Craig Pospisal

    Directed by Ailee Moquist

    Cast:
    Woman - Emma Farmer
    Man - Isaac Ferguson

    Director’s Note:
    I picked this play because I think it has a nice homey feeling to it. The love that the couple has for each other is the heart of this play, and I wanted it to be like a cozy coming-home kind of feeling too. There’s beauty in ordinary things, in little moments that you and your loved ones share together.

    The Last December is presented by special arrangement with Broadway Licensing, LLC, servicing the Dramatists Play Service collection. (www.dramatists.com)

Thank You

  • Melissa would like to thank Molly for her thoughtful guidance, her actors David and Annabell for trying all her silly ideas, her parents for encouraging her passion for theater, and her brother for the years of silly memories that inspired her script selection. She thanks all her friends and mentors for their support!

  • Logan is thankful for Molly, his actors, and his classmates.

  • Liam would like to thank George and Lauren for being such great sports and happily going along with all the silly and crazy ideas that I kept throwing at them and being super flexible and adaptable to what they were working with throughout this process.

  • Simon would like to thank Sheldon High School’s Christina Moyer for gifting him “The Musical Theatre Table” during their musical theatre season, and can promise that it will (probably) return in one piece. He would like to thank his actors for all of their hard work throughout this process, and he would like to thank Molly Wiebe Faber and the rest of the Directing class for all of their help along the way. And last, but certainly not least, he would like to thank you all for coming to support the arts!

  • Mackenna would like to thank Molly and all of our fabulous stage managers who help to keep things in line.

  • Marissa would like to thank Molly Wiebe Faber for her mentorship during this process and Jack MacGregor for being her listening ear and idea sounding board.

  • Ailee would like to thank Molly for teaching her how to direct, Drew for helping with the lights, Ethan for helping find props, Amanda for helping with costumes and hair and makeup needs for the show, and the stage managers on both nights for dedicating their time to all of our shows. She would also like to thank her actors for being amazing and flexible throughout this whole process.

Thursday 7:30

One-Act Details

  • by Moses

    Directed by Sophia Fischer

    Cast:
    Moses - Juleah Brinks
    Pharaoh - Madison White
    The LORD - Sam Chase
    Narrator - Asemah Bakkar
    Egyptian/Israelite/Water No. 1 - Kyra Visser
    Egyptian/Israelite/Water No. 2 - Alexander Langner

    Director’s Note:
    Exodus 3-14 follows the story of Moses from when he was called by the burning bush to him parting the Red Sea. This story exemplifies God’s faithfulness and sovereignty over our fears and weaknesses. We are able to learn about our own identity as people called by God to a calling greater than ourselves.

  • by Alle Mims

    Directed by Elliana Zerr

    Cast:
    Chelsea - Nichole Hansen
    Andrea - Nathania Smith

    Director’s Note:
    The living room slumber party: the quintessential high school girl experience. Even more quintessential? Having it with your family instead of your friends. Through this play, I want to connect with a female audience, remembering my own living room slumber parties and including the silliness and comfort of them on stage. Navigating high school is difficult. What makes it easier is having someone that lets you unleash your silliness and someone who will accept you for exactly who you are.

    Happy Birthday To Me is produced by special arrangement with Stage Partners. (www.yourstagepartners.com)

  • by Don Zolidis

    Directed by AJ Zinn

    Cast:
    Emily - Charlee Olson
    Marigold - Abigail Bram
    T.J. - Ezekiel Pruitt

    Director’s Note:
    The Job Interview is a play that caught my eye immediately because of its wacky and outgoing premise. Having a comedic story that subverts the expectations on a seemingly boring topic drew me into the play. I wanted a chance for actors to show a very animated and outgoing version of themselves and this play opens up many opportunities to do just that. This is the perfect show for me because it can go in so many different directions and it keeps you on your toes the whole time.

    The Job Interview is produced by special arrangement with Stage Partners. (www.yourstagepartners.com)

  • by Jessica Schulmeister

    Directed by Jessica Schulmeister

    Cast:
    Wren - Alissa Hugen
    Gray - Thomas Vance
    Mags - Natalie Hoffman
    Hawk - Isaac Zwiers

    Director’s Note:
    The Corpse in the Props Closet is meant to be a fun, playful story combining my love for the game “Body, Body!” and my love for murder mysteries. There is something exhilarating about sneaking through the dark theatre late at night, feeling like you are being watched and anticipating a jump scare at every corner. The opportunities to meet friends both old and new and to temporarily relieve the stress of homework only deepen the experience. I wrote this play and am now directing it because so many of my favorite college memories are directly or indirectly related to “Body, Body!”, and I hope to share some sense of the chaotic energy, the shenanigans, the thrill, and the community.

  • by Daniel Meltzer

    Directed by Dana Sorenson

    Cast:
    Director - Andrew Reginald
    Writer - Landon Greve
    Woman #1 - Anna Derscheid
    Woman #2 - Hope Wallace
    Young Woman - Ruthie Zimmerman
    Actress - Olivia Hartlep

    Director’s Note:
    Intermission follows one writer’s anxieties about the Broadway debut of his play. At intermission, he is so worried that he is unable to enjoy the moment. This play shows that even when the worst happens, it is important to surround yourself with the right people. Your friends are the ones who will help you take a step back and celebrate your hard work.

    Intermission is presented by arrangement with Concord Theatricals on behalf of Samuel French, Inc. www.concordtheatrical.com

  • by Garth Wingfield

    Directed by Lydia Cavanaugh

    Cast:
    Sue - Emily Espinoza
    David - Micah De Young
    Therapist - Raquel Yoder

    Director’s Note:
    Please Have a Seat and Someone Will Be With You Shortly is a story of two people who are only human. It is a story of two people who find themselves in an office where they could be defined by their pasts and yet look toward the future. It gives a glimpse into a tiny moment of their lives, a moment that will define everything. When one of them makes a move, as if they are magnets, they will either repel or come together.

    Please Have a Seat and Someone Will Be With You Shortly is produced by special arrangement with Playscripts, Inc. (www.playscripts.com)

  • by Ruben Carbajal

    Directed By Lexi Squier

    Cast:
    Mia - Lilia Twaddle
    Anthony - Zeke Stansbery
    Svea - Sarah Hummel
    Ikea Manager - Raquel Yoder
    Ikea Bot - Kara Van Genderen

    Director’s Note:
    Some Assembly Required is a fun comedy that portrays a situation that most of us have experienced, trying to build furniture. This play starts with a couple trying to deal with a dresser and a certain Swedish furniture company and ending up with something that does not resemble a dresser remotely. It ends up even worse than they could have ever imagined. One of the reasons I chose this play was based on personal experiences that I have had with building things and when they do not go according to plan. Also, it was a cute and audience-friendly show that I believed everyone would enjoy. Hope you enjoy!

    Some Assembly Required is produced by special arrangement with Stage Partners. (www.yourstagepartners.com)

Thank You

  • Sophia would like to thank Molly and all her actors for the amazing work they have done.

  • Elliana would like to thank Molly Wiebe Faber for giving her a firm foundation upon which to confidently create art. She would like to thank her suite-mates, Victoria Pavik, Olivia Lott, and Laura Nelson, for letting her use their room for chaotic rehearsals, and additionally her friends Lauren Fisk and Elena Lee for teaching her what sisterly love feels like. She would like to thank her mom, Melanie Loth, for having the best birthday-living-room-sleep-overs with her.

  • AJ would love to thank Molly for supporting all of his crazy ideas throughout this process and helping him to get everything on its feet. He would also like to thank his actors: Charlee, Abby, and Z for putting up with him through all of his insane ideas for how to perform this script.

  • Jessica would like to thank her actors for showing up to work hard and to play hard, and for all the fun they bring both to the play and to the game upon which it is based. She would also like to thank Dr. Bob for his part in the writing process during Playwriting class, and Molly for letting her direct a play she wrote.

  • Dana is grateful for her parents’ support and constant encouragement. Special thanks to Molly for pushing her to dream big.

  • Lydia would like to thank Molly for her guidance and support getting this show on its feet (and allowing her to try some of her more… impractical ideas), and she would like to thank her actors, Emily and Micah, for their hard work and amazing ideas that they have contributed in every rehearsal! She would also like to thank Jamie Quiring for helping her choose a script!

  • Lexi would like to thank Molly for her guidance and support throughout this whole semester! She would also like to thank her actors who have put in countless hours of hard work and creativity throughout this whole process. Thanks again to Melissa Thompson for helping with sound and transitions.